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The new anthology recently compiled by Les Cousin music really holds some real gems for any fan of Davy Graham. One of those must buy albums which includes 54 tracks from 1963 to 2007 of rare live performances, unreleased studio work and radio broadcasts.

The first five tracks seem to be from the acetate commissioned by Bob Monkhouse back in 1963 which Graham later went on to record Guitar Player on Pye Records.

http://www.folkblues.co.uk/graham1963pt02.htm
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These are the type of groups we love to see here at Folk Blues and Beyond. Fresh new melodies but never straying from the roots. Young Believers, reminds me a little of Jack Bruce, The Decemberists and Love thrown in for a special brew. Their Facebook page reads “A little Folk/Beat group from the North, concerned with nothing other than picking our wooden music boxes as if our lives depended on it!”.

Their EP “Fruits of labour” was recorded in a few transpennine locations in the far north of England, with a hire van lots of junk food and gigs.

A soft echoey voice driven by a euphoric drum rhythm and great guitar work is one way to describe their music. I for one would love to see what music they can come up with for their album. Can’t wait. Do check out this band. You won’t be disappointed. Now for the official links and group photos.

YouTube:

http://www.youtube.com/user/YoungBelieversBand

EP avavibile at:

http://youngbelievers.bandcamp.com/

After years of being a highly respected guitar player Tim has finally stepped up to the mark and is now fronting his own band ‘Ainslie’s Vibes’. Tim approached two lifelong friends and musicians, Roy Little (bass) and Alex Best (drums) who jumped at the chance to be involved in a new original project. The trio gelled straight away with each member contributing personality and creativity into the mix. Ainslie’s Vibes debut cd, ‘The People Have Spoken’ was released and the band went on to record studio and live gig sessions with the BBC. Having now revisited Roundel Studios in Kent, Ainslie’s Vibes all original new album entitled “Standing Ten Feet Tall and Raging Like a Bull” will be launched later in the year.

Tim has been quick to follow up on his debut EP ‘The People Have Spoken’ with a brand new album entitled ‘Standing Ten Feet Tall (and Raging Like a Bull)’ recorded and released with his band, Ainslie’s Vibes. The new album is collection of self-written songs steeped in Blues crossed with Jazz and Rock ‘n’ Roll.

Matt Norris & The Moon formed in 2009 when Matt Norris (guitar, lead vocals) met Tom MacColl (bass) at university in Edinburgh with Dave Law (trumpet, mandolin), Helen Cookson (fiddle, flute) and Dale Birrel (keys, accordian) added through connections from previous bands and from the local open mic and newly emerging Edinburgh folk scene.

After many hours spent practicing, working on their sound and playing shows, they were offered prestigious live performances including the opening set of the Edinburgh Hogmanay Concert in Gardens supporting Sons & Daughters, Bombay Bicycle Club and Primal Scream. Over the past year they have been played support for the likes of Ben Howard, Villagers, Lucy Rose, Pete Roe, Rachel Sermanni, Alphabet Backwards, Kitty the Lion, Dry the River, Three Blind Wolves, Woodenbox and Chasing Owls, have toured Scotland and been named “The best live band in Scotland” by Jim Gellatly with the band recently been named 'artist of the week' on Amazing Radio.

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Suburban Dirts are a British electric folk blues band that's heavily influenced by Dylan's mid-60s classics, Bringing it All Back Home and Highway 61 Revisited. Their original "Lost in Transcription" riffs closely on Dylan's "Subterranean Homesick Blues," "Tombstone Blues," and other of his sing-song electrics and harmonica-laced ballads. Frontman John Wheatley lists Dylan and the Beatles as primary influences, which, given their influence on one another in 1965, makes a lot of sense. Suburban Dirts also bear `60s and early-70s influences from both sides of the pond, including Hot Tuna, early Fleetwood Mac, Big Brother and the first generation bluesmen from which they all took inspiration. There are hints of country-rock, suggesting the Allman Brothers and, in the case of "Someday, Baby," Mike Nesmith's post-Monkees sides or perhaps Glen Campbell-era Jimmy Webb songs.

The album isn't all Dylan-esque electric blues, as "Ada" turns on a country waltz, "Stoned" edges into psychedelia and "The World it Turned" is a ukulele ballad. Wheatley has enough rasp on the edge of his voice to put across the pain and dislocation of these songs, which just as often center on existential weariness as they do on direct emotional disappointment. That said, there are plenty of lyrics grounded in romantic turmoil, and "I Ain't Cut Out for Working 9 to 5" turns on the workingman's plight. Guitarist Dave Moyes picks some fiery leads, and guest pianist Joe Glossop adds some twinkling piano in the background. Suburban Dirts' Americana sounds surprisingly American for a band from Hertfordshire (the birthplace of Graham Green, among others), which suggests the "American" in "Americana" has fully transcended its geographical roots.